turned up to their place, on the moon, spent half the game playing 10v12, in their ‘hostile atmosphere’, slapped them silly, sung oasis on their own soil what a fucking nation we are

初コメします！左の画像の方はGBAでcircle of the moonが難易度高め、右の画像のDSの方は奪われた刻印が難易度が高いですね。ほぼ全ての作品がBGMが良いですしオマケモードも充実してます👍️✨

Moon or Cancer in the 10H, or Moon aspecting the 10H also applies to the D10 (Daśāṁśa) chart, which shows your career, profession & work. You can also check if your Amatyakaraka (2nd highest degree planet in Jaimini astrology that signifies career) falls in Cancer.

Hahaha I mean we can go ahead and shoot that lady to the moon too. A huge difference between white and black Americans is that the white ones are willing to drown the hood rat and trailer trash white ones in the ocean as well.

noticed how columbina kept her eyes closed the whole time in the moon journey wit the traveler and paimon but kept her eyes opened for a longgg time when sandrone has returned to her...

i bet my life on this NOT being project moon. i will fucking. eat a dirty sock if i tune into the winter trailer and see Mimicry or sum shit. arcsys ARE aware of pmoon and there are some connections but we are just never ever getting english or japanese va for a pmoon char.

What has happened to Saturn's moon Iapetus? Vast sections of this strange world are dark as coal, while others are as bright as snow. To help better understand this unusually tinted moon, in 2007 NASA directed the robotic Cassini spacecraft then orbiting Saturn to swoop within 2,000 kilometers. Pictured here, from about 75,000 kilometers out, is the hemisphere of Iapetus that is always trailing. A large impact crater seen in the south spans 500 kilometers and appears superposed on an older crater of similar size. The dark material is seen increasingly coating the easternmost part of Iapetus, darkening craters and highlands alike. A leading hypothesis is that the dark material is mostly a form of carbon-rich soil leftover from when relatively warm but dirty ice sublimates. An initial coating of this dark material may have been effectively painted on by the accretion of meteor-liberated debris from other moons. Image Credit: NASA, ESA, JPL, SSI, Cassini Imaging Team

I look up at the moon and see the American flag planted on its surface.

waning moon behind clouds nothing true stays hidden Aoi

ชั้นไปอยู่ไหนมาถึงเพิ่งรู้ว่าเพลง A rocket to the moon คือเพลงที่กวินทร์แต่งเป็นของขวัญให้ปุ้ย ในช่วง 2 ปีที่คบกัน ซึ่งมันก็ถูกนำมาใช้ในงานแต่งของพวกเขาในอีก 4 ปีต่อมาแล้วมันก็กลายเป็นเพลงในงานแต่งของใครอีกหลายๆคน นี่คิดว่าเป็นเพลงต่างประเทศซะอีก 😂

sailor moon

If you’re still sitting on the sidelines watching Solana print, you’re already late. CA:9cRCn9rGT8V2imeM2BaKs13yhMEais3ruM3rPvTGpumpLFG. $ANSEM to the moon, trenches together Who’s riding with the Black Bull? Drop your conviction below.

Your pub's flag isn't on the moon

$MA İS ONLİNE MAD ANSEM CA FCkHhCwBXxTbxDRkZi3aoyS6UR6DxEdzx3gpnnmDpump @blknoiz06 All proceeds will be donated to Ansem. A portion of the supply to Ansem! To the moon! 🚀 x.com/madansempump?s=11

Create Image of reference character @Image1 Use the provided character reference sheet ONLY to preserve the character's identity, facial features, hairstyle, body proportions, clothing or armor design, wings (if applicable), weapons, accessories, and overall color palette. DO NOT copy, recreate, or imitate the pose, camera angle, facial expression, composition, or background from the reference sheet. Create an entirely new illustration with an original pose and cinematic composition. Place the character within an enormous ancient Dragon Graveyard stretching to the horizon, filled with colossal dragon skulls, towering rib cages, fractured vertebrae, fossilized skeletons, shattered horns, broken wings, weathered dragon remains, cracked volcanic earth, black ash, scattered embers, and endless skeletal ruins. The environment should feel ancient, haunting, and massive in scale. A gigantic full moon dominates the sky. The moon's color MUST automatically adapt to complement the character's existing color palette from the reference sheet while remaining natural and harmonious. If the character's design is primarily blue, use a sapphire or blue-toned moon. If crimson, use a crimson moon. If emerald, use an emerald moon. If violet, use a violet moon. If gold, use a golden moon. If celestial, use a luminous celestial white or matching cosmic hue. The moon should become the primary atmospheric light source, casting dramatic rim lighting and cinematic shadows while reinforcing the character's colors instead of overpowering them. The illustration should feature: • colossal environmental scale • cinematic volumetric fog • drifting ash • floating embers • atmospheric haze • dynamic storm clouds • subtle god rays • realistic weathering on every dragon skeleton • cracked volcanic terrain • rich environmental storytelling • dramatic depth and perspective Randomize the cinematic camera angle for every generation. Never repeat the same viewpoint. Choose one naturally, such as: • low-angle hero shot • high-angle establishing shot • aerial perspective • ground-level perspective • wide environmental panorama • medium full-body composition • over-the-shoulder view • dynamic three-quarter angle • Dutch angle • cinematic side profile • telephoto compression shot • intimate close portrait • sweeping landscape composition Generate an entirely new pose that DOES NOT resemble any pose shown in the reference sheet. The character may be: • standing confidently • walking through the dragon graveyard • kneeling among ancient bones • drawing a weapon • preparing for battle • spreading wings • summoning magic • resting atop a dragon skull • observing the moon • casting a powerful spell • interacting naturally with the environment The character should remain the primary focal point while the dragon graveyard emphasizes the immense scale of the world. Lighting should be cinematic and realistic with physically accurate global illumination, dramatic rim lighting, deep shadows, atmospheric perspective, subtle bloom, volumetric lighting, realistic reflections, and rich cinematic color grading. Render as an Unreal Engine 5 AAA fantasy cinematic with photorealistic physically based rendering (PBR), Nanite-quality geometry, Lumen global illumination, ray-traced lighting, ultra-detailed textures, realistic materials, film-quality depth of field, HDR lighting, epic dark fantasy atmosphere, award-winning concept art quality, highly detailed environment, and premium AAA game promotional artwork quality. The final image should look like a high-budget Unreal Engine 5 cinematic key art from a modern AAA fantasy action RPG. Aspect Ratio: 16:9

In Pragmata there is a researcher on the Moon base who has a hidden room full of physical media. They understand the importance of physical media, in this case for being something AI overlords can’t interfere with and something they are able to access offline.

So prompt of the day is here! Took the Dragon Graveyard and made it so the moon reflects the color palette of the character reference provided, gave it a cinematic camera angle, and random dramatic poses. Enjoy because this one was extremely fun to make. Prompt will be in thread below 👇, pinned to my profile, and NOW will be added to The Celestial Palace Discord. @Maegatron3030 @SalmsonVT @Marakath @Gryphonknightt

I asked to pitch me investing topics, business ideas, etc. There were a lot of fantastic suggestions, but @DD17_Capital stood out the most. I promised I’d pick my favorite and write about it, so here it is. The Market Isn’t Your Biggest Opponent. The Algorithm Is. Social media has given investors something previous generations never had: unlimited access to information. That’s an incredible advantage, but it also comes with an invisible cost. Every headline, every viral thread, every notification, and every prediction quietly influences how we think about businesses long before we ever buy a stock. Most investors believe they’re making independent decisions. In reality, they’re making decisions inside an environment carefully designed by algorithms. The market hasn’t changed nearly as much as the way we experience it. The fascinating part is that algorithms don’t optimize for truth. They optimize for attention. Fear spreads faster than facts, confidence spreads faster than uncertainty, and bold predictions spread much faster than thoughtful analysis because those emotions keep people scrolling. Imagine two investors discussing the exact same company. One says it could compound at roughly 18% annually over the next decade if management executes well. The other says it’s the next 10 bagger and anyone who doesn’t buy it is an idiot. Guess which post reaches millions of people. Over time, this quietly changes the way investors think. The companies appearing in your feed every day begin feeling like the best opportunities, not because you’ve studied them more carefully, but because your brain mistakes familiarity for quality. Psychologists call this the availability bias, but social media has turned it into a daily habit. The same thing happens with FOMO. Most people believe they experience it because stocks go up. I think they experience it because thousands of strangers constantly remind them about opportunities they missed while almost nobody talks about the disasters they avoided. Social media creates a completely distorted picture of reality. You see screenshots of 300% winners, predictions that a stock is going to the moon, and victory laps from people who happened to be right. You rarely see the years of waiting, the mistakes, the permanent losses, or the thousands of ideas that quietly failed. The greatest damage isn’t convincing someone to buy one particular stock. The greatest damage is changing what investors consider normal. Once your brain becomes accustomed to stories about extraordinary returns, an exceptional business compounding at 20% annually suddenly feels boring. Businesses haven’t become faster. Costco still opens stores one at a time. Visa still processes payments one swipe at a time. Wingstop still builds restaurants one location at a time. Reality still compounds slowly, but social media has trained investors to expect instant gratification from businesses that were never designed to provide it. The irony is that the attention economy and the investment economy reward almost opposite behaviors. The attention economy rewards speed, confidence, emotion, certainty, and constant activity because that’s what generates engagement. The investment economy rewards patience, humility, probability, independent thinking, and long periods of doing absolutely nothing because that’s how wealth compounds. Think about who benefits every time you open the app. The platform gets paid when you scroll. The influencer gets paid when you watch. The advertiser gets paid when you click. Your brokerage gets paid when you trade. Nearly everyone in the investing ecosystem benefits from your activity, while the investor usually benefits from patience. This creates a fascinating conflict of incentives. The entire internet encourages you to do something every day. The market often rewards doing nothing for years. One system monetizes your attention, while the other rewards your discipline. 1/2👇

Moon dune