But it still needed a director.
I had to guide it constantly telling it what felt off, what to fix, what to keep, and what to try next. It’s less like “typing a prompt” and more like working with a very fast, very patient (but sometimes literal) assistant director.
The final result is something I’m genuinely proud of, and I couldn’t have made it this precisely without the tool. But the tool didn’t do it alone.
This is what AI filmmaking actually looks like right now for me: a real collaboration between human taste and machine execution.
Still learning how to direct it better every time.